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Abstract
El artículo estudia la teoría sobre la imaginación desarrollada por el teórico literario sánscrito Rājaśekhara (siglo X). En este contexto, se resumen esfuerzos previos dentro de la disciplina y se subraya el radical giro que ésta experimentó hacia el siglo IX, cuando el antiguo modelo formalista fue desplazado por un mayor énfasis en la comunicación de sentimientos universales. Así, se sostiene que el novedoso discurso de Rājaśekhara sobre la imaginación descansa no sólo en una adherencia explícita a dicho giro, sino además en su extrapolación al proceso de recepción. Finalmente, se sugiere la dimensión social de esta imaginación receptora.
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