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Resumo
El artículo estudia la teoría sobre la imaginación desarrollada por el teórico literario sánscrito Rājaśekhara (siglo X). En este contexto, se resumen esfuerzos previos dentro de la disciplina y se subraya el radical giro que ésta experimentó hacia el siglo IX, cuando el antiguo modelo formalista fue desplazado por un mayor énfasis en la comunicación de sentimientos universales. Así, se sostiene que el novedoso discurso de Rājaśekhara sobre la imaginación descansa no sólo en una adherencia explícita a dicho giro, sino además en su extrapolación al proceso de recepción. Finalmente, se sugiere la dimensión social de esta imaginación receptora.
Referências
Ānandavardhana. (1998). Dhvanyāloka, with the Locana Commentary of Abhinavagupta. Delhi: Munshiram Manoharlal Publishers.
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Rājaśekhara. (2000). Kāvyamīmāṃsā. Original Text in Sanskrit and Translation with Explanatory Notes. Delhi: D. K. Printworld.
Secundarias
De, Sushil Kumar. (1976). History of Sanskrit Poetics. Calcuta: KLM Private.
Gerow, E. (1997). Indian Aesthetics: A Philosophical Survey. In E. Deutsch & R. Bontekoe (Eds.), A Companion to World Philosophies (pp. 304-323). Londres: Blackwell.
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Gonda, J. (1963). The Vision of the Vedic Poets. Leiden: Brill.
McCrea, L. (2009). The Teleology of Poetics in Medieval Kashmir. Cambridge: Harvard University Press.
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Pujol, O. (1991). El nacimiento del hombre poesía. Benares: Tara Printing Works.
Shulman, D. (2008). Illumination, Imagination, Creativity: Rājaśekhara, Kuntaka, and Jagannātha on Pratibhā. Journal of Indian Philosophy, 36, 481-505.
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